Thus allowing for scaled differentiated support (cost) according to loyalty, while also facilitating dedicated offers to specific customers and channels (crossgrades, timed sales, etc), the way that Steinberg have been doing with Cubase and Spectralayers 6, seems like the way to go. /A welcome to newcomers coming aboard, hoping their time invested in price search and the different offers available to get in, ultimately support the development work already invested, much the same way that old customers have been supporting it, some of us several times over. Updates and novelties are just around the corner. has only recently completed a complete -years worth- rework of its custom software framework. Also one of the early pioneers Photosounder by Michel Rouzic IZotope has been developing their AI and workflow technologies and last year the RX line skipped its anual update so it is bound to happen this year. Reaper DAW has incorporated an spectral editor and they are an important player. This is precisely what Steinberg’s new SpectraLayers Pro 6 audio editor has been designed to do. Perhaps Robin and the Hit’N’Mix developer Martin Dawe should persuade the Steinberg empire to finance a merge and conquer the spectral editor space.Īt 2020 there are other relevant players at the Spectral edition field. The Holy Grail of audio editing, then, would be to work in all three domains simultaneously. To my way of thinking the question is how close will SpectraLayers 7 be to Hit’n’Mix Infinity.
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